Copyright law is a minefield, but getting things wrong can be a costly business - a number of churches have received
substantial fines for holding unauthorised music copies. This is only a very brief outline of the current position but we
hope that it will help you to recognise the potential problem areas and avoid a situation where your church is faced with
substantial costs as a result of breaking the law.
What is copyright?
Each author and composer has a legal right to receive royalties whenever his
or her work is copied, recorded or performed. The permission of the author or composer must be sought in advance and they
may make a charge for granting permission to copy, record or perform the work. Copyright lasts for 70 years after the death
of the author or composer. In addition, publishers are granted separate graphic copyright over the works that they publish
and this lasts for 25 years.
Therefore, you cannot reproduce words or music, or make arrangements of music (eg for
instrumentalists or to add a descant), without first obtaining permission from the copyright holder. Also, works cannot be
performed in public (even if you hold authentic copies) without an appropriate payment to the composer. Thankfully, music
used in the context of divine worship is specifically exempt from this last requirement, but music performed in church for
other purposes, such as fund-raising concerts, is not.
Word copies of hymns
Two licence schemes now operate to enable churches to reproduce material
for use in services:
- Christian Copyright Licensing (Europe) Ltd [CCLE] offers a licence scheme allowing the reproduction of a wide range of hymns, especially those of modern hymn-writers. An annual
fee is payable, based on the size of the regular congregation, and the church has to submit an annual return of the hymns
reproduced, so that the fee can be allocated to those writers whose work has been used.
- Calamus offers a similar licence covering works written primarily for the Catholic liturgy but actually in use across a wide range
of churches today - for instance, 'Make me a channel of your peace' and 'I, the Lord of sea and sky' are covered by this licence.
Once again, there is an annual fee, based on the size of the regular congregation, with quarterly returns of the material
used under the licence.
Both schemes have specific rules on disclosure of copyright information and licence details
on any copies that are produced.
An important point to remember is that neither licence gives blanket permission to
reproduce hymns - you must check that each item you intend to reproduce is actually covered by a licence that you hold. For
instance, the words of 'Morning has broken' are not covered by either scheme and permission to reproduce this must therefore
be obtained direct from the copyright holder.
Music for hymns
CCLE recently extended its scheme to include a Music Reproduction Licence, which
allows churches to make copies of the music of certain hymns. The number of hymns covered is more limited, but many churches
will nevertheless find this a useful licence to hold. A separate fee is charged on the same basis as the main CCLE licence
fee and an annual return is required of the music copies made.
The Calamus licence allows reproduction of the melody
line of hymns, which can be useful for inclusion in service sheets, but it does not permit the harmony to be copied.
Taizé
The Calamus licence also covers reproduction of the vocal harmony and guitar chords of Taizé
refrains, and churches who do not use the main Calamus licence can obtain a separate licence for Taizé only. However, neither
the main licence nor the Taizé licence extend to the reproduction of choral arrangements or cantor parts.
Performances outside worship
Permission to perform music outside the context of worship should
normally be obtained from the Performing Rights Society Limited [PRS] - this can be dealt with by holding an annual licence
and submitting quarterly returns or by obtaining a one-off licence for each performance. However, CCLE has recently introduced
a PRS Church Licence, with the cost once again based on the size of the regular congregation, and this may be both cost effective
and easier to administer for churches with only a small number of events in each year.
Video recording
A special licence is required before any service which includes copyright material
can be video recorded. Most requests will relate to weddings. Strictly it is up to the wedding couple to arrange the licence,
but the church could well be liable if they fail to do so. It is therefore in the church's interest to ensure that the rules
are followed. CCLE will usually be able to provide a suitable licence. The same rules apply regardless of whether the video
is a professional recording or one made by family and friends.
Further information
Useful contact addresses are:
Christian Copyright Licensing (Europe) Limited
P O Box 1339
Eastbourne
East Sussex
BN21 1AD
www.ccli.co.uk
Calamus
30 North Terrace
Mildenhall
Suffolk
IP28 7AB
Calamus
The Performing Rights Society Limited
PRS Live Music Centre
Copyright House
29-33 Berners Street
London
W1P
4AA
www.prs.co.uk